A Good Private Dialect Coach…
…understands and respects your craft.
…is honest with you about how long the process of mastering a dialect really takes.
…can help you determine which dialects will be the most marketable for you.
…will adjust their teaching style to suit your abilities and strengths.
…will help you stay motivated when the going gets tough.
…will tailor written and recorded materials specifically for you.
… will spend at least as much time preparing materials and lessons for you as they will in actually meeting with you.
…can demonstrate, describe, and transcribe or chart the sounds they are teaching you.
…provides a level of training that no group class or commercially available dialect CD can ever achieve.
… has a true love of language and while they can’t possibly know everything there is to know about every dialect, language or word on this planet, they will happily help you find the answers you need to perform your job with excellence.
Posted in Dialects and Your Acting Career, FOR AGENTS, MANAGERS & CASTING ENTITIES, FOR THEATRE & PRODUCTION COMPANIES, Learning A Dialect
Tagged accent, accent acquisition, Actor training, business of acting, dialect, dialect coach, hiring a dialect coach, productivity
From what I keep hearing, training programs seem to be telling actors ‘To make it in this business, you have to really want it.’
While it seems logical, it turns out, that it’s not necessarily true—at least not at every level.
Think about it: How many ‘perfect’ roles have you missed out on because you wanted the job so much that you stressed yourself out and blew the audition? (More than you want to remember, right?)
Why does this happen?
The Federal Reserve Bank and the London School of Economics did some research to see what kinds of rewards motivate people to perform at their best, and it turns out that when dealing with a complex task (such as acting), the bigger the reward offered for a job well done, the worse people actually performed at the task. The studies indicate that when there’s too much riding on a situation, people shut down. The stakes are just too high to allow creativity to blossom.
If you want to hear more about this study, watch the video at the bottom of this blog entry.
If you would rather take me at my word and run with it, here’s what I suggest: Next time you have an audition or gig that makes you feel particularly nervous, take notice of what kind of self-talk you are using. Are you fantasizing that this gig might lead to something huge? More lines? A recurring role? Your agent’s undying love? If you are, then you have probably raised the stakes too high to allow yourself to do your best work. Why not see what you can do about changing the self talk to reflect a much smaller reward? Instead of something big, try something like ‘If I book this one, I’m going to spend an afternoon at my favorite museum to celebrate’ or ‘If I prepare well for this piece and actually do what I set out to do, afterwards I’m going to Santa Monica Pier to ride the ferris wheel’, and see what happens…