Tag Archives: Actor training

Competing With ‘The Real Deal’

Recently someone said to me “I can’t really see the point in learning dialects. I mean there are so many actors from all parts of the world. Aren’t those actors going to book all of the dialect jobs anyway? Scottish guys will play Scottish guys, and South Africans, South Africans, right?”

Before I started working as a dialect coach well over a decade ago, I would have been tempted to agree, but here are two valuable things I’ve learned over the years through first-hand experience:

1) Many times, casting directors are really hoping to hire a particular actor (because they seem perfect for a role), but can’t end up recommending them because the actor’s attempt at the target dialect was such a disaster during the audition process. There are actors I see sitting in coffee shops today that should have been in some pretty great projects…

2) An actor who happens to already speak in the target dialect may indeed bring with them a 100% authentic sound, but that doesn’t necessarily mean that this actor’s performance will ever end up being intelligible to the target audience. Nor does it mean that they possess the personal awareness and skills necessary to make the specific pronunciation or pacing modifications that may be vital for particular sections of a film or play’s text.

A trained dialect actor will often as not, beat ‘the real deal.’

A Good Private Dialect Coach

A Good Private Dialect Coach…

…understands and respects your craft.

…is honest with you about how long the process of mastering a dialect really takes.

…can help you determine which dialects will be the most marketable for you.

…will adjust their teaching style to suit your abilities and strengths.

…will help you stay motivated when the going gets tough.

…will tailor written and recorded materials specifically for you.

… will spend at least as much time preparing materials and lessons for you as they will in actually meeting with you.

…can demonstrate, describe, and transcribe or chart the sounds they are teaching you.

…provides a level of training that no group class or commercially available dialect CD can ever achieve.

… has a true love of language and while they can’t possibly know everything there is to know about every dialect, language or word on this planet, they will happily help you find the answers you need to perform your job with excellence.

Serious, Serious, Serious! (And Now For Something Completely Different)

I’ve been serious, serious, serious thus far in blog-land.

When it comes to voice, speech and dialect work, serious can be good, but to get the very best results, you’ve got to be sure to fuel your sense of play, too…so…

Time for some fun!

Here are a few of my favorite voice and speech related clips for your enjoyment— a bit of tricky dialogue, some ultra-specific mimicry, some Shakespeare and an unusual demonstration of the potential of the human voice…

First up, a simple sketch from The Tonight Show back when Johnny Carson was king…

Next VO actor Josh Robert Thompson demonstrates the fine art of voice matching. (Voice matching is essentially dialect work taken to the next level…)

Here Actor Brian Cox teaches a bit of Shakespeare to the world’s smallest Hamlet.

And finally…Tuvan Throat Singing (Overtone Singing) meets John Newton’s Amazing Grace. There are no tricks or devices here. This man is making this sound with his voice and nothing else.

Have you got favorite voice, speech and dialect clips?

Post them in the comment section!

Accent Reduction

If you live in Los Angeles (or nearly any major metropolitan area) you’ve seen the handmade signs stapled to telephone poles that say ‘Lose Your Accent!’ or ‘Accent Reduction!’ followed by a phone number where you can purchase lessons.

But guess what?

There is no such thing as ‘Accent Reduction.’

Learning to speak in an accent other than the one you arrived at naturally is an acquired skill. It is something that is added to your list of abilities, not something that erases an ability you already possess.

Think of it this way—when you were a little kid, and you learned how to skip or to jump, did you give up walking? Did the skipping or jumping ‘erase’ your ability to walk? Of course not. You walked when it made sense to walk, and skipped or jumped for enjoyment or to get over an obstacle. To this day you still know how to walk, skip, and jump and you use each of them as they seem most appropriate.

Even if it were magically possible that learning a new accent could ‘erase’ the one you naturally have, as an actor why on Earth would you want to do that? It would only make you eligible for fewer roles.

For the record, the appropriate term for learning a new accent is ‘Accent Acquisition.’

That said, please forgive your agent, manager, or acting coach if they toss around the term ‘Accent Reduction.’ They’ve probably just read a whole lot of telephone poles…