Everyone tells you. Your acting coach. Your publicist. Your agent. Your manager.
Don’t lie on your resume because a lie will eventually come back to haunt you.
It’s very good advice, and if you’re a working actor, you probably took this advice to heart long ago.
But here’s the thing—What if you don’t realize that there’s a lie on your resume? What if, for instance, you have listed in your skills section ‘Dialects: British RP, Cockney, American Southern, New York, Irish’ because six years ago you were enrolled in a respected acting conservatory where those dialects were taught as part of the curriculum?
And you got an ‘A’ in the class?
And your instructor told you that you were ‘really good with accents?’
That sounds fantastic!
When was the last time you actually tested any of these skills?
When was the last time you recorded yourself acting while using your New York dialect and had that recording analyzed by a professional dialect coach?
When did you last walk into an Irish bar and successfully convince the Irish patrons that you were from Kilkenny?
If you want to be a competitive actor, any skill (dialect or otherwise) that isn’t performance ready today should be removed from your resume until you have given it a thorough tune-up and put it to the test…
…because even an accidental lie will eventually come back to haunt you.
Posted in Dialects and Your Acting Career, FOR AGENTS, MANAGERS & CASTING ENTITIES
Tagged accent, accent acquisition, acting, acting career, actor resume, actor skills, Actor training, business of acting, dialect coach, Kilkenny
Two things to keep in mind:
1) Most audiences cannot distinguish between poor dialect work and a poor performance. They just sense that something is ‘wonky’ and irritating and they cease to be properly engaged in the story.
2) No other skill on an actor’s resume (not singing, dancing, bareback riding, or martial arts) is so intimately entwined with an actor’s process as is dialect work. Any dialect you use for a performance will always be inextricably linked to every action you play, every intention you pursue. If you want the freedom to do your best acting work, you must have the target dialect ready to integrate* at a project’s first read through.
* You’ll know you are ready to integrate a dialect when you’ve mastered it to the point of being able to extemporize while remaining accurate and consistent.
Posted in Dialects and Your Acting Career, FOR AGENTS, MANAGERS & CASTING ENTITIES, FOR THEATRE & PRODUCTION COMPANIES, Learning A Dialect
Tagged accent, accent acquisition, acting, actor, actor resume, actor skills, business of acting, how to learn an accent, learning an accent
If your actor resume includes a section that looks pretty much like this…
DIALECTS – English (RP), Cockney, German, French, American Southern, New York
…any savvy casting director will suspect that you have listed the dialects you were introduced to during an actor training program, and are most likely proficient in none of them.
(They also tend to suspect that you are over-estimating your other abilities…)
Posted in Dialects and Your Acting Career, FOR AGENTS, MANAGERS & CASTING ENTITIES, FOR THEATRE & PRODUCTION COMPANIES
Tagged accent, actor, actor resume, actor skills, actress, business of acting, casting, dialect, film, resume, television