Monthly Archives: October 2010

Learn How the Industry Utilizes Dialects

I invite every professional actor who would like to improve their chances of being cast to try the following experiment:

For the next week, as you listen to radio commercials, watch television, visit internet video sites and go to the cinema, I encourage you to make written notes of every fictional character  you see or hear that is not speaking in what you would personally consider to be a General American dialect. (NOTE: If you live outside of the United States and/or are seeking acting work primarily outside of the U.S.A. simply make notes based on characters who speak something other than what is perceived as the ‘preferred’ dialect of the market you are targeting.)

To the very best of your current ability write down the following observations (writing them down will help you get the best results from your efforts):

1) The name of the dialect you are hearing (for the purpose of this experiment, it will work just fine to take a note such as ‘Australian/NewZealand-ish’ or ‘Irish’ instead of ‘County Kerry, Ireland’ if you’re not exactly sure what you’re hearing).

2) The name of the show the fictional character appeared in and the episode name or number if possible. (Just to be clear, this experiment does not encompass documentary or reality style entertainment.)

3) The genre of the show (action, crime drama, situational comedy, children’s show, commercial etc.).

4) Approximately when the show was produced (Currently? Within 5 years? 1990’s? 80’s? 70’s? 60’s? etc.)

5) As many details as you can think of about the kind of character being played. Were they — The hero? The villian? The victim?  Were they wealthy, middle-class, or poor? Urban or rural? Honest/trustworthy or dishonest/shady? Overtly sexual or a-sexual? Educated or uneducated? Naturally astute or rather dense? Refined or gritty? Did they ‘win’ or ‘lose’ in the end and how did you as the viewer feel about this win/loss?

6) Did the accent sound authentic to you?

When the week is over, go back and read the data you have collected and look for patterns.  I cannot tell you exactly what information your particular entertainment viewing habits will yield, but by investing effort in this little experiment, I’m confident at the very least you will begin to see:

A) How many dialect role opportunities there are out there. (More than you think.)

B) Which dialects are currently being associated with which types of characters. (This is something that changes over time and is heavily influenced by world events.)

C) Just how often productions are forced to hire an actor who is not really ready to act in a particular dialect. (And by extension, how you can increase your odds of being cast by mastering dialects appropriate to your career.)

I hope you will give yourself the gift of performing this experiment and look forward to hearing from you about your observations!

Enjoy!

Tuning Up Your Acting Resume

Today’s post is very straightforward.

I’d like to encourage you to read this.

And this.

And then I really hope you’ll do this: Grab your fancy ‘eeeee-lectronic’ calendar and schedule in a perpetually-repeating appointment time twice a year so that you can remember to regularly perform a resume skills evaluation. If you haven’t done a resume skills evaluation before, rest assured that it’s pretty straightforward. The idea is to vigorously test each skill that you have listed on your resume and determine if you can honestly claim to be proficient at it or if you’ve been giving in to ‘resume inflation.’

To perform a resume skills evaluation, you’ll want to use every means you have at your disposal to effectively evaluate your skills. If you have juggling listed on your resume, video record yourself doing it so that you can have a good idea of how smooth you look while catching those pins.  If horseback riding is listed, head over to some stables and see what you’ve got.  When in comes to dialects, recording yourself is helpful, but you’ll need feedback from someone else knowledgeable to be sure you’ve really got the goods. (If you’ve made the effort to create an ongoing relationship with a dialect coach, you can handle this evaluation over the phone or via Skype in probably under an hour.)

A few more things:

1)    This time of year is great for skills evaluations. Summer is over, the holidays have yet to catch us up in their wake, and the giddiness of pilot season isn’t a distraction.

2)  If a reminder from your electronic calendar isn’t enough to kick you into gear, you might consider working with a buddy. Synchronize your calendars and hold each other accountable for following through with your evaluations.

3) The second article I invited you to read was written by Joe Von Bokern, one of the three talented and refreshing co-authors of the blog ‘Playbills vs. Paying Bills’ which chronicles the professional lives of actors Ben Whitehair, Joe Von Bokern, and Emily Beuchat as they pursue acting careers in Los Angeles, Chicago and New York respectively.  Playbills vs. Paying Bills  is always such an enjoyable read.  I want to personally thank Joe Von Bokern for publishing his story. When all of us have the wisdom to be this transparent and candid, we’ll revolutionize the entertainment industry.