MYTH: It’s easier to learn just the ‘flavor’ or ‘hint’ of a dialect than it is to learn the ‘real’ dialect.
I hear this from inexperienced directors all the time: “I am not too worried about the dialects for this production. I’m really just looking for the actors to capture the ‘flavor’ of the dialect…So if you could give the cast one or two pointers, maybe suggest some films they could watch…that’s all we really need.”
When I hear this, as a dialect consultant my heart hurts because I know from experience that every actor involved in that production is going to be negatively affected by this director’s misconception. It’s nearly guaranteed that the acting work will suffer as the actors struggle to ‘find’ this ‘flavor’ the director has imagined and ultimately the actors (not the naïve director) will take the blame in the reviews for having ‘distracting’ or ‘poor’ dialects.
The plain truth is, a dialect is a dialect. (An accent is an accent.) It doesn’t matter how ‘heavy’ or ‘light’ you or anyone else perceive it to be. If you wish to be convincing, no matter how ‘light’ or ‘heavy’ the accent, you will still have to make conscious, consistent changes to your speech pattern, be 100% intelligible, and feel absolutely natural while doing it.
To accomplish this, the same amount of work is required no matter what.
…If someone tries to tell you otherwise, keep in mind that they’re probably not the ones whose performance will be captured forever on film…